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Guide · when it goes wrong

Opening the box the morning of the trade show

A print fault surfaces when the box is opened, and the box gets opened when the job is needed. If the run does not match the proof you approved, it is remade under our reprints policy; if it does, the fault is in the artwork, and we say so. Underneath both sit Australian Consumer Law’s consumer guarantees. What to do while you are standing over a wrong run — and the habit that stops you ever being here again.

Why you find out at the worst possible moment

Nothing about a wrong print job announces itself in transit. The blue that printed purple, the phone number the trim cut through, the pull-up banner with last year's dates — every one of them looks like a sealed carton until somebody opens it. And cartons get opened when the thing inside is needed: the morning of the market, the night before the launch, the moment the installer asks where the sign is.

This is not bad luck. It is the shape of the failure. A fault created at file or press stage travels the whole way to you invisibly, so the discovery point is always the point of use — which is exactly when you have the least time to do anything about it.

What we print for this

Proofed before they run

The two clocks

From the moment you notice, two clocks are running, and they are not the same clock.

The printer’s clock

Margin and press hours

A reprint costs them the job a second time. It ends when the replacement ships.

Your clock

A date that does not move

The reprint takes as long as the first run took. Saturday still happens either way.

The gap

What a reprint cannot do

It restores the product. It cannot restore the event you needed it for.

Wrong is often worse than late. A banner that never arrived is a gap on a wall. Business cards with a digit wrong in the phone number do active damage every time one is handed out — and they keep doing it until the whole box is thrown away.

What to do right now

  1. Photograph everything before you touch anything. The fault up close, the whole item, the carton label, and a count of how many in the run are affected. If it is a colour problem, photograph the print next to the screen or proof you expected it to match.
  2. Dig out what you approved. The file you sent, the proof you signed off, the order confirmation. Whose error it is decides the whole conversation: a press fault is the printer’s to fix; a typo that was in your file when you approved it is a different discussion — many printers will still help, but you are asking, not claiming.
  3. Contact the printer in specifics, not adjectives. “The number reads 5302 3272, the approved artwork reads 5302 3372” gets a reprint moving. “The quality is terrible” gets a debate.
  4. Say what the deadline is. A printer who knows the job is for Saturday can tell you honestly whether a reprint can make it, and courier options change the answer. A printer who does not know will quote the standard turnaround.
  5. Triage the event separately. While the reprint conversation runs: is part of the run usable? Can the venue or an office printer produce a stand-in for the day? A plain interim beats a wrong original.

What you are entitled to. Custom print carries no change-of-mind right — nobody else can use your business cards. But consumer guarantees under Australian Consumer Law still apply: the job must be of acceptable quality and match what was described and approved. A faulty or wrong run entitles you to a remedy — a reprint or a refund — and that is the printer’s obligation, not a favour. Our own reprints and remakes policy says what we cover in plain words.

Why this keeps happening

The pattern is not carelessness. It is that with most online print services, nobody shows you anything between upload and delivery. The first time a human looks hard at your job next to your intentions is when the courier hands it over — and that human is you.

There is a reason for that, and it is worth being honest about: proofing slows a print queue down. Every proof is a pause, a wait for a reply, a possible revision. High-volume print services are built to keep the queue moving, so the checking step is the one that gets removed. That is an incentive problem, not a technology problem — which is also why it does not fix itself.

The habit that stops it

Order from someone who shows you the job before it runs, and actually look at what they show you.

Here, nothing goes to press until you have seen a proof and said yes. It opens on your phone with no login, you can pin a note on the exact spot that is wrong, and you answer one of three ways — approve, approve with changes, or request changes. The error still happens sometimes; errors do. But it gets caught while fixing it costs nothing and the deadline is still a fortnight away, instead of in a car park on Saturday morning.

Two minutes of prevention on your side helps too: run the artwork through the resolution checker and the bleed tool before you order — both run in your browser and the file never leaves it. And when the proof arrives, read the phone number out loud. A proof protects you from being surprised; it cannot protect you from approving a mistake.

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